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Why write instead of draw when it comes to architecture? Why rely on literary pieces instead of architectural treatises and writings when it comes to the of study buildings and urban environments? Why rely on literary techniques and accounts instead of architectural practices and analysis when it comes to academic research and educational projects? Why trust authors and writers instead of sociologists or scientists when it comes to planning for the future of cities? This book builds on the existing interdisciplinary bibliography on architecture and literature, but prioritizes literature's capacity to talk about the lived experience of place and the premise that literary language can often express the inexpressible. It sheds light on the importance of a literary instead of a pictorial imagination for architects and it looks into four contemporary architectural subjects through a wide variety of literary works. Drawing on novels that engage cities from around the world, thebook reveals aspects of urban space to which other means of architectural representation are blind. Whether through novels that employ historical buildings or sites interpreted through specific literary methods, it suggests a range of methodologies for contemporary architectural academic research. By exploring the power of narrative language in conveying the experience of lived space, it discusses its potential for architectural design and pedagogy. Questioning the massive architectural production of today's globalized capital-driven world, it turns to literature for ways to understand, resist or suggest alternative paths for architectural practice. Despite literature's fictional character, the essays of this volume reveal true dimensions of and for places beyond their historical, social and political reality; dimensions of utmost importance for architects, urban planners, historians and theoreticians nowadays.

Architecture and literature --- Architecture in literature --- Architecture et littérature --- Literary semiotics --- literary theory --- Architecture --- architectural theory --- Architecture et littérature. --- Architecture et littérature --- Architecture in literature. --- architectuurfilosofie

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Verhalen vertellen is moeilijk. Vreselijk moeilijk. Toch heeft iedereen een verhaal dat, eens je de nodige tips en tricks op zak hebt, in beeld gebracht kan worden. Door hard werk, de juiste keuzes, maar ook door kennis van de opbouw van verhalen kan je de kunst van het storytelling wel degelijk aanleren. Daarom nemen de auteurs van How To Story je mee achter de schermen van het beeldverhaal. Ze geven je de basics van storytelling mee en waarschuwen je voor valkuilen. Maar wat How To Story vooral wil doen, is je als lezer zin geven om goede verhalen te vertellen. Storytelling is méér dan mooie beelden in de juiste volgorde plaatsen, maar jezelf voortdurend in vraag stellen en kijken hoe je een verhaal anders kan vertellen. Kort en krachtig, maar met aandacht voor zowel inhoud als tactiek, leer je van auteurs met tonnen ervaring alles wat je moet weten om je publiek te boeien - en geboeid te houden. Tegelijkertijd kijkt het boek ook naar morgen en stoomt het beeldjournalisten en journalistiekstudenten klaar voor een voortdurend veranderend journalistiek landschap. https://www.lannoo.be/nl/how-story

Journalism --- Non-fiction --- Literary rhetorics --- Literary semiotics --- Psychological study of literature --- journalistiek --- Schrijven --- Schrijven ; journalistiek --- journalistique --- Storytelling --- Journalistiek --- Reizen --- Ziekte --- Vliegen (werkwoord) --- Media

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« Si j'ai du goût ce n'est guères/que pour la terre et les pierres. » Comme pour reprendre le pas de Rimbaud, la poésie des années 50 et 60 s'élance dans un paysage semé de rocs, de cailloux, de rocaille. Et bientôt la pierre devient l'élément privilégié vers lequel se porte, de Guillevic à Bonnefoy et Du Bouchet, de Char à Dupin et Gaspar, l'imaginaire poétique de toute une époque. Constat abrupt d'une déshumanisation du monde ? Nostalgie de l'immémorial ? Recherche du simple et refus de l'image ? La pierre brute se fait le miroir des enjeux historiques, philosophiques, sémiotiques, d'une poésie confrontée à l'évidence d'immenses champs de ruines. Cette étude entreprend l'archéologie de cet imaginaire. Elle vise à dégager l'origine du motif et à souligner le tracé de son évolution. Et aussitôt une question s'impose : pourquoi et comment est-on passé de la pierre précieuse, ce cœur de l'esthétique symboliste et de la poétique mallarméenne, à la pierre nue des poètes de l'après-guerre ? Hasard ? Continuité cachée ? Entre symbolisme, surréalisme et poésie moderne, des filiations se dessinent, une géologie imaginaire se dégage, une histoire des poétiques se redéfinit. Et le XXe siècle devient la chambre d'échos où se déploient, dans la richesse de leur diversité, les chants de pierres de notre modernité.

Literary semiotics --- Thematology --- French literature --- anno 1900-1999 --- Mineralogy in literature --- Stone in literature --- French poetry --- Stone in literature. --- Mineralogy in literature. --- Poésie française --- Pierre dans la littérature. --- Minéraux dans la littérature. --- History and criticism. --- Histoire et critique. --- poésie --- imaginaire --- surréalisme --- symbolisme --- pierre

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This book stages a dialogue between international researchers from the broad fields of complexity science and narrative studies. It presents an edited collection of chapters on aspects of how narrative theory from the humanities may be exploited to understand, explain, describe, and communicate aspects of complex systems, such as their emergent properties, feedbacks, and downwards causation; and how ideas from complexity science can inform narrative theory, and help explain, understand, and construct new, more complex models of narrative as a cognitive faculty and as a pervasive cultural form in new and old media. The book is suitable for academics, practitioners, and professionals, and postgraduates in complex systems, narrative theory, literary and film studies, new media and game studies, and science communication.

Artificial intelligence. Robotics. Simulation. Graphics --- Literary rhetorics --- Literary semiotics --- Psychological study of literature --- Artificial intelligence. --- User interfaces (Computer systems). --- Multimedia systems . --- Communication. --- Motion pictures and television. --- Creative writing. --- Artificial Intelligence. --- User Interfaces and Human Computer Interaction. --- Media Design. --- Media Studies. --- Screen Studies. --- Creative Writing. --- Writing (Authorship) --- Authorship --- Creation (Literary, artistic, etc.) --- Moving-pictures and television --- Television and motion pictures --- Television --- Communication, Primitive --- Mass communication --- Sociology --- Computer-based multimedia information systems --- Multimedia computing --- Multimedia information systems --- Multimedia knowledge systems --- Information storage and retrieval systems --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- AI (Artificial intelligence) --- Artificial thinking --- Electronic brains --- Intellectronics --- Intelligence, Artificial --- Intelligent machines --- Machine intelligence --- Thinking, Artificial --- Bionics --- Cognitive science --- Digital computer simulation --- Electronic data processing --- Logic machines --- Machine theory --- Self-organizing systems --- Simulation methods --- Fifth generation computers --- Neural computers